Ancient Copies: Contributions to the History of Greek and Roman Art. Robertson, Martin and Cambridge University Press. "Das Grosse Eleusinische Relief und seine Kopien." Antike Plastik, Vol. A Catalogue of the Greek and Roman Sculpture in the Fitzwilliam Museum, Cambridge. Budde, Ludwig and Richard Vaughan Nicholls.
column 168, Venezia: Istituto per la Collaborazione Culturale. "Attici e beotici centri e tradizioni." Enciclopedia Universale dell’Arte, Massimo Pallottino, ed. 64, Rome: Instituto della Enciclopedia Italiana. "Demetra." Enciclopedia dell'arte antica, classica e orientale, Vol. Attische Plastik vom Tode des Phidias bis zum Wirken der grossen Meister des 4. 32a, Cambridge, Mass.: Harvard University Press. 116a, Cambridge, Mass.: Harvard University Press. Three Critical Periods in Greek Sculpture. "Die griechische Plastik." Handbuch der Archäologie, Vol. "Agorakritos." Wiener Jahreshefte, 32: 169ff. 37, New York: The Metropolitan Museum of Art. "Die Attischen Dreifigurenreliefs." Mitteilungen des Deutschen Archäologischen Instituts, Römische Abteilung, 53: pp. "A Roman Copy of the Eleusinian Relief." Archaiologike Ephemeris, : pp. 36, New York: The Metropolitan Museum of Art. "Reconstructed Copy of Eleusinian Relief at the Metropolitan." Art News, 34. "A Roman Copy of the Eleusinian Relief." Bulletin of the Metropolitan Museum of Art, 30(11): pp.
"Architectura Romanica in Mugello." Bollettino d' Arte, 8(4): p. 177, London: Swan Sonnenscheon and Co., Lim. A Dictionary of Classical Antiquities: Mythology, Religion, Literature & Art, 7th edn. To experts illuminate this artwork's story Compared to the original, the execution of the hair and drapery in the copy is sharper and accords with the style current in Augustan art. Here the ten Roman fragments are embedded in a cast of the Greek relief. The original Greek work and a number of Roman copies survive. The original marble relief was found at the sanctuary of Demeter at Eleusis, the site of the Eleusinian mysteries, a secret cult that was famous throughout antiquity. On contemporary Athenian vases, he is usually shown as a bearded adult seated in a winged chariot about to set out on his civilizing mission. The boy is thought to be Triptolemos, who was sent by Demeter to teach men how to cultivate grain. Each goddess extends her right hand toward a nude youth, but it is no longer possible to determine what they held. At the right is Persephone, her daughter and the wife of Hades, the god of the underworld. Demeter, the goddess of agricultural abundance, stands at the left, clad in a peplos and himation (cloak) and holding a scepter. The ten fragments have been set into a cast of the original relief.
0 kommentar(er)
